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A further turn-and-push knob moves between EQ bands the currently selected band is shown on the hardware LCD, and identified on your computer's screen by having a pink centre to the knob.
LOADING ZEBRA 2 INTO PRO TOOLS PLUS
An optional expander card doubles the DSP power to double the track count at higher sample rates but you're still limited to a maximum of 32 simultaneous plug-ins at 44.1 and 48 kHz.Īs a controller, the Liquid Mix provides continuous rotary knobs for the input Level, compressor Threshold, Ratio, Attack, Release and Gain Makeup, plus Gain, Frequency and Q controls for a single EQ band. The maximum channel count of 32 plug-ins is available at 44.1 and 48 kHz sampling rates it drops to eight at 88.2 and 96 kHz, and just two plug-ins at 192kHz. At launch, the user has a choice of 20 EQs and 40 compressor types, and Focusrite tell us that further new emulations may be made available from their web site there is already the ability to create hybrid equalisers of your own design by combining different EQ bands from different emulations. The Liquid Mix supports VST and Audio Units natively, and can be used with Pro Tools via an adaptor.
LOADING ZEBRA 2 INTO PRO TOOLS MAC
As with the SSL Duende, the Mac version is now shipping, and the PC/Windows version will follow on a little later.
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Mix And MatchĮach instance of the Liquid Mix plug-in can run a range of EQ and dynamics processing modules (one of each per instance of the plug-in) that emulate various pieces of current or vintage studio EQ and compressor hardware. The desktop unit has physical knobs and buttons to control the plug-ins, hardware metering for level and gain reduction, and a small display window that shows the current EQ or compressor curves as well as other parameter information. It connects to the computer via Firewire, and in most cases can be buss-powered, though a power adaptor is included for those occasions where buss power isn't available.
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Unlike competing DSP plug-in platforms, the Liquid Mix hardware also includes a desktop control surface for the plug-ins. Up to 32 channels of EQ and compression can be used at the same time via the insert points and busses of your chosen DAW software, and because the plug-ins run on the Liquid Mix's DSP rather than the host CPU, there's very little extra load on the computer, even when the maximum 32 channels of processing are running. We carried a fairly detailed preview a couple of months ago, but now that the production version (v1.2) is shipping, we've had a chance to put all its emulated EQs and compressors to the test and also to try out some small updates to the original software.įor the benefit of those who may have missed our preview, the Liquid Mix is based on the DSP-powered compressor and EQ sections of Focusrite's Liquid Channel, and packages these processes into plug-ins that can be used in a Mac or PC-based recording system. If you're looking for characterful compression and EQ to warm up your computer-based mixes, Focusrite's Liquid Mix might just be the answer.įocusrite's Liquid Mix is a DSP-powered add-on for your computer that hosts a large range of compressor and equaliser plug-ins, all created using a novel form of convolution technology to measure and then emulate the audio characteristics of hardware devices.